JAY CRITCHLEY
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    • RESUME
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  • WORK
    • Projects
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    • ACTIONS AND PERFORMANCE
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JAY CRITCHLEY

Democracy of the Land, Truro Center for the Arts

7/30/2019

 
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Longtime Provincetown multi-media artist, performance artist, writer and activist will take a deep dive into his singular, penetrating work, and his historic exploration of the roots of the American landscape and its mythology. How does an artist, or anyone, tread on the Earth with the cultural, political and environmental stakes at an all time high? What is our narrative with the land? How do we occupy our ground? How do we make a stand?
Jay is a longtime resident of Provincetown and the shifting dunes, landscape and the sea are his palette. He has utilized sand, Christmas trees, fish skins, plastic tampon applicators washed up on beaches, pre-demolition buildings and selected sites in his work. He is a conceptual and multi-media artist, writer and activist whose work has traversed the globe, showing across the US and in Argentina, Japan, England, Spain, France, Holland, Germany and Columbia. Jay recently returned from a two-month residency at the Santa Fe Art Institute. Other residencies include Fundacion Valparaiso, Mojacar, Andalucia, Spain, CAMAC, Marnay-sur-Seine, France, and Harvard University where he also lectured. His movie, Toilet Treatments, won an HBO Award and he recently gave a TEDx Talk: Portrait of the Artist as a Corporation. His 2015 survey show at the Provincetown Art Association &; Museum traveled to Florida Atlantic University in Boca Raton, FL. He has received awards from the Boston Society of Architects and the Cooper Hewitt, Smithsonian Design Museum in NYC for his environmental projects. Jay was honored in 2012 by the Massachusetts State Legislature as an artist and founder and director of the Provincetown Community Compact, producer of the Swim for Life, which has raised $6.5M for AIDS and women’s health. He is represented by AMP Gallery in Provincetown.

Notable historic documents:
  • Mayflower Compact (Pilgrims, 1620)
  • Native America (Four-part PBS documentary, 2018)
  • Document of Discovery (1493)
  • Florentine Codex (16 th Century)


This event is part of Truro Connections

JAY CRITCHLEY’S APOCALYPTIC VISION OF MAYFLOWER 400

7/29/2019

 
By Howard Karren  |  Provincetown Banner
​
When Jay Critchley, Provincetown’s resident performance-installationartist- writer-satirist-activist- impresario, sat down to discuss his upcoming talk, “Democracy of the Land,” which he’ll be giving on Tuesday at Truro Center for the Arts at Castle Hill, a messianic mission quickly emerged. Ever since he was “born again” as an artist some 38 years ago, at the age of 33, Critchley has been creating projects and series and films, on his own and collaborating with others, on subjects that he feels need addressing. “It’s just being engaged in the politics of the world and the country,” he says.
​
Before re-imagining his life as an artist, Critchley’s “former self ” was devoted to “human services” — and he still is, by running the Provincetown Compact, which he founded 26 years ago and has raised millions to support charitable causes, mostly by holding the annual Swim for Life & Paddle Flotilla in September. “I worked for youth in Connecticut,” Critchley says. “I was a VISTA volunteer in Oregon. I worked at a drop-in center in Provincetown — that’s what got me here. I was married at the time. I have a son and three grandchildren. I came out as a gay man first. The ‘born again as an artist’ came four years later. My sister sent me a subscription to Art in America. I said, ‘Why are you sending this to me?’ She said, ‘Because you’re an artist.’ How could I get away with being an artist? It just wasn’t part of my thinking. We’re talking about Irish Catholic in the ’50s.”
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Jay Critchley’s self-portrait, his face hidden by tie-string surgical masks, is from his “Maskuerade Ball” project. The photo is by Bobby Miller.

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